STAN MILLER supply
list and map - COEUR D’ALENE WORKSHOP -
If you already have w/c supplies you need not purchase listed materials, but compare your supplies with instructors
Watercolor Paper I
suggest Arches 140-lb. cold press. One sheet for workshops -
two sheets for classes minimum. Other types of paper are more or less
acceptable depending on student’s experience.
Watercolor Brushes Beginning
students need a 1” flat watercolor brush, synthetic or natural bristle.
A good
brush costs at least $10 (unless on sale) and one shouldn’t spend more then $30
(unless you are a more advanced painter). Spokane Art has a Simply
Simmons for $3.
I also recommend a 1/2” flat brush or a
medium sized (#8-15) round and a small round (#5-7). Intermediate to advanced students need not
purchase new brushes.
Watercolor Palette
I use the John Pike Palette. There are many types of acceptable palettes. A simple white plate will work for the beginner. Make sure your palette has a fairly large
mixing area…or use a white plate to accompany a palette that doesn’t.
Watercolor Paints
Beginning students need a tube of Paynes Gray or some kind of a black - also
need a strong red, yellow and blue. I
recommend M Graham: Azo Yellow or Winsor Lemon - M Graham Quinacridone Rose or
Quinacridone Red - M Graham Thalo Blue or Winsor Blue (red shade). If you cannot
get these specific colors then try to find a color chart for the colors you are
considering. Find the brightest and most
intense red, yellow and blue. For
students who already have colors, you need not purchase new ones.
Optional colors: I recommend M Graham and or WN - Cobalt Blue,
Winsor Blue (green shade), Cerulean Blue, Thalo Green or Winsor Green (blue
shade), Burnt Umber, Raw Sienna, Burnt Sienna, Alizarin Crimson, Vermilion,
Cadmium Orange, Gamboge, Cadmium Yellow, Naples Yellow and Permanent White.
Water container Should be able to hold at least a pint of water
Sponge An
inexpensive grocery store sponge, not an art store sponge
Paper towels will also work - viva are best
Pencil and eraser (suggest kneaded
eraser)
Masking tape ˝ inch wide
Paper Sketch paper or scrap
watercolor paper
Optional Supplies
Hair dryer
Watercolor Board. A soft plywood or pine board. Gator board or Mahogany plywood also works. 1/4” to 1/2” is plenty thick. No bigger then 24” x 30”
Stapler or staple gun to staple paper to board.
Design book (optional): Design! By
Steven Aimone (fundamentals of
design)
Or: The Artist’s Design by Marie Macdonnell Roberts
Students need to
bring, besides their supplies:
If possible, bring
If we paint outside, depending on the weather, students should bring sunglasses, insect repellant, sunscreen. They should also, if they know how to do this, bring small L mats. (cut a mat in half, at the corners, so you end up with two L’s. No bigger then 8” long, the longest length). If you aren’t flying to the workshop, bring a folding chair or camp stool.
Students, if not flying to the workshop, may (optional) also bring 2 or 3 of their previous paintings for the instructor to see.

1. Head east on Interstate 90 past the
2. Take the next exit after
3. Turn left onto
4. Turn right onto
5. Turn right onto the gravel road just before the guard
rail. Heading straight ahead you should see the beginning of a paved driveway
between two large rock pillars marked with "1890."
6. Go through them and down the driveway to Scharelant!